Wednesday, September 30, 2015

Long Way Home

I have a project on reflective writing which you can see at: http://bit.ly/MakingMeaningofGettingAway. My immediate goal with this project is to find a publisher for a book. If you have a piece you'd like to contribute for this project where you make meaning from some time away, please let me know. I welcome contributions.

Monday, February 16, 2009

Leveraging and Leavening

Comments made to the Albemarle County Board of Supervisors
2/4/9

I speak in support of the Local Food Hub and urge you to allocate the small amount of funds they are requesting. I was a market gardener and baker for years at the city market. Although my wife and I made of profit in our first year of business, we struggled to discover ways of bringing that business to the next level. A Food Hub would have been a huge help. I am committed now to contributing what I learned in establishing that small business and see the food hub as a locus for a wealth of local wisdom. I cannot imagine a better return on your investment than this allocation of funds. The Local Food Hub has already gotten a commitment of matching funds, so your allocation would immediately be leveraged. And it would be leveraged further by the energies of the local growers and artisans that would find ways of bringing their talents and gifts and products to market. The benefits to the local community would be legion, but as a baker, I think a lot about leavening. I think of the Local Food Hub as a source of leavening that would lift the energies and talents of our local artisans and bring great benefit to Albemarle County.

Thank you for the chance to speak and for your consideration of this worthy initiative.

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Monday, November 27, 2006

Toward an Understanding of Scalability, Innovation and Academic Culture

Toward an Understanding of Scalability, Innovation and Academic Culture

John Alexander
Manager of Instructional Technology
Information Technology and Communication
University of Virginia
11/15/6

Paper for the U21 Conference, delivered 11/29/06.

Argument:

Although “scalability” and more centralized support for “innovation” are increasingly common rationales in higher education to make projects more sustainable, nevertheless faculty ownership of prototype projects provides balance that is at the heart of innovation at the university.

Abstract

In this analysis, I shall work at two levels. At the level of metaphor and analogy, I hope to describe these issues in ways that are evocative and accurate, much like my faculty colleagues in the humanities might do. At the level of technological and business lexicon, I hope to describe and define issues like scale and innovation to clarify how they work and don’t work in a university setting.

There is a disconcerting tendency by administrators of higher education to ignore some key facets of our own academic culture. Concepts like “scalability” may apply to businesses and many businesslike aspects of higher education, but if they are carelessly imposed on teaching and learning, they not only do a disservice to education but also can drown out the still, small voice of the learner.

A related impulse, our common impatience with the slowness of change and the lack of innovation in teaching and learning, similarly threatens violence to the delicate combination of trust and risk that is at the heart of effective teaching and learning.

Academic culture is at least as much craft and art as it is business and science. Clear thinking and solid grounding in academic culture can serve as a vital touchstone as we test ourselves, stretch ourselves and strive to improve this ancient, all-too-human enterprise.

Scalability, which can be cynically defined as an infinite expansion of service with flat or decreasing budget or effort, applies unevenly to higher education, where personnel costs are always a sizeable majority of the budget. Channeling and supporting the genius of individual minds and hearts is the greatest challenge in higher education. Still, there are specific problems in the academy where scalability has great promise. I am currently working on such a project at the University of Virginia, the Virtual Exhibition Tool. This tool will allow faculty members to effectively marshal mountains of data, texts, images, and sounds, to craft rich instructional experiences for their students or to enable the students themselves to grapple with “original” sources, or their digital facsimiles. But even if this tool exceeds its goals by 200% it will still not take care of two of the major reasons that faculty shy away from using instructional technology more aggressively: time and rewards.

So scalability, which is directly applicable to some of these issues, brings others into sharp focus. Innovation, as we have approached it at the University of Virginia, is best when it is faculty driven, faculty “owned”. And given that the faculty members have extremely limited time and expertise in technology, those innovations will necessarily progress slowly. More slowly, at any rate, than we prefer.

I sometimes feel that the innovation expected by upper administration is more about fundraising than creating new knowledge or expanded learning opportunities. Our institution needs to regularly command the cover of various national publications with good news and beacons of hope that will make friends and alumni eager to write checks to support that brighter future. Innovation, then, becomes a part of expanding business operations because it provides the bright stars and hopeful stories that better support generous private giving. The business pressures are unavoidable (the State of Virginia, for example, continues to cut its funding for higher education even as its and the University’s own expectations and ambitions rise. Scalability, indeed.) But courageous leadership and a clear understanding of the scale and scope of academic culture are vital if we are to set and keep a pace that is sustainable, honorable and sound.

Innovation, Pedagogy and Pornography

There is a great deal said these days about innovation in instruction using technology. We generally assume that innovation is good and desirable because it leads to improved learning in our students, increased interaction between those students and their professors, greater satisfaction among the professors themselves. But defining innovation clearly and succinctly is more challenging.

Effective innovation, like Justice Potter Stewart’s opinion of pornography is something many of us may have trouble defining, but we know it when we see it. Although Justice Stewart’s opinion survives today as a running joke, he himself recanted that opinion as untenable. (Wikipedia, 2006) Would that more academics and higher education administrators would be similarly reflective, self-critical and rigorous!

In this paper, I will attempt to define “innovation in instruction,” along with closely related and similarly confusing concepts like “scalability.” Those definitions will be “academic”--meaning “engaged, intellectual, vital, discursive and sometimes contentious.” “Academic” is not meant to suggest one meaning in my American Heritage Dictionary, “…without purpose or use.”

Innovation in instruction has tremendous purpose if we understand it clearly and approach it realistically. I opened this paper with a comparison of innovation in instruction with pornography. The two may have more in common than we might suppose. Both can be fascinating or, by turns, a crushing bore. The fascination pertains when the innovations are consistent with the audience, thoughtfully and skillfully done and filled with rich, engaging content—fascination sets the bar very high.

This paper hopes to define that ground so that we will not only know it when we see it but know why as well. More ambitiously still, this paper means to shape policies that better support effective, innovative approaches. I agree, though, with Neil Postman who concludes that clear thinking is difficult, especially when it relates to technology. (1992) Apparently, clear thinking sets the bar as high as fascination.

Higher Education: Entrepreneurship, Ownership and Other Ships of State

The famous definition of a university by Clark Kerr from the 1970s still instructs me:

“A university is a collection of individual faculty entrepreneurs held together by a common grievance over parking.” (Wikipedia, 2006)

Kerr is playing on subtle connections between entrepreneurs and academics. Entrepreneurs create new solutions much as academics create new knowledge. But the word “entrepreneur” suggests more than innovation. It suggests ownership such as Rosovsky probably had in mind when he subtitled The University; An Owner’s Manual (1991). Granted, much of this ownership in the academy is in contention these days. Who “owns” a course? What claim does the institution have on the research output of a lab or even the book the professor writes? So leaving aside questions of who owns what, faculty entrepreneurs have a sense of ownership that persists even if that ownership is now more complicated, shared and contingent than it used to be. (Alexander, Reagan, 2004)

At the University of Virginia, we have emphasized this metaphor of ownership in one of our most important faculty development programs, one that my group was created to support. The Teaching + Technology Initiative (TTI) (Alexander, et al, 1998) has actively promoted its faculty development projects as faculty owned and faculty driven. In its 11 years of operation, it has supported over 65 Faculty Fellows. In those years, the model has shifted gradually from individual faculty entrepreneurs to partnerships, groups and more complex teams that include TAs, undergraduates, and others.

“Ownership,” here, means:

--invested rather than possessive…
--engaged rather than static…

The model, then, of the TTI projects as faculty owned is the best chance of keeping those projects alive, growing, evolving, given that the infrastructure is similarly growing and evolving. It takes the tenacity of an “owner” to keep his/her feet on shifting ground. It is important to note that there have been differing concepts of “ownership” at UVa. A contrary point of view has held that all such development as this is incomplete, prototypical and therefore unsustainable. Some professionals who hold that view have actually argued that all TTI projects should cease until scalable tools are available to support them. They have even argued that funds that would support those TTI projects should be deployed instead toward writing those scalable tools. (I’ll speak more about this conflict and its immediate consequences later.)

But it is my contention that both sides are needed. Scalable tools are needed to address certain technical problems. But at the same time, scalable tools will do nothing to address many of the other problems, such as developing the skills in the faculty to own and run their respective projects. Their ownership of their projects provides the best hope of sustaining those projects through their focused energies, intelligence, rigor and recruitment of talent. The question is where is the optimal balance between these extremes of centralized, scalable support and decentralized, entrepreneurial ownership by the faculty?

This year’s TTI project may be as good an example as we can fine of this balance. It is an interdisciplinary partnership across two schools, Architecture and Engineering. The project, ecoMOD, involves a course that is cross listed, and students and professors who are designing and building ecological, sustainable, affordable modular housing to solve real world problems ranging from the replacement of a trailer park in a nearby neighborhood in Charlottesville, Virginia to replacement housing in the more distant, Katrina-savaged Gulf Coast. The technological aspects of the course involve providing infrastructure, server space and software so that this large group of experts from very dissimilar professional backgrounds can track and manage their project. Given that the files they need to store, ranging from text to still image to digital video to plans and “as-built” CAD models can be large and the software varied and specialized, providing this infrastructure can be quite challenging at times. The project is therefore exploiting and pushing our university’s deployment of Sakai, an open source tool for collaboration and course management in higher education. (2006) EcoMOD is simultaneously an entrepreneurial and scalable project.

So who owns what in a project that is a course but produces a prototype product that will be sold by a non-profit, the Piedmont Housing Alliance? Yet, when you see the engagement of the group, the creative outpouring of their work and the beauty of their learning outcome, there is no doubt that there is ownership here--galore. (see Figure 1)



Figure 1. Screenshot from the ecoMOD website.

[Downloaded 11/6/06.]

In a screenshot from the project’s web pages, we see beauty of design both of the web page and the building it references. Such beauty demonstrates the sense of ownership in the project and its many concrete products.

These “ships” of the academy, the entrepreneurship, the apprenticeship and the sense of ownership are ships of state of higher education. They are the heart of the enterprise, and we forget to revere, respect and care for our heart at our peril.

Scalability and Dragonheart—Exposing our Warm Inner Selves

There has been much talk in the past two generations about scalability as it applies to higher education.

Wikipedia defines “scalability:”

In telecommunications and software engineering, scalability is a desirable property of a system, a network or a process, which indicates its ability to either handle growing amounts of work in a graceful manner, or to be readily enlarged. (Wikipedia, 2006)

There are several noteworthy things about this definition, but I’ll focus on the fact that it refers specifically to telecommunications and software engineering. While the university has telecommunications and software engineering aspects to it, the university is much more than those two aspects. We too commonly and too casually apply the term “scalability” to higher education as though the two activities were synonymous. Later in the definition, the authors note that scalability is “difficult to define.” Yet, despite that difficulty, high-level administrators are, with increasing frequency dismissing solutions, programs, and approaches as not being scalable.

This declaration generally marks the end of the discussion rather than a beginning of deeper consideration or even the beginning of a careful attempt to define the term.

In the movie, DragonHeart, (1996) the resolution of the plot hinges on the complex, lovable, and wise dragon, Draco, offering his life so that his shadow, the horrific King Eidon will die. To make himself vulnerable, he lifts the scales on his breast, exposing his otherwise invulnerable heart. (Wikipedia, 2006) This metaphor makes me think of scalability in a new light, as a horny, impenetrable defense that obscures from our view, from our scrutiny and understanding, the heart of our academic enterprise. Education, learning, inspiration, intuition, these experiences are powerful, yes. Hopeful, yes. Even transcendent. But, at the same time, they are fragile, delicate, exposed with difficulty, and once exposed, like Draco’s heart, easily pierced, and with fatal consequences.

I hope that we can begin to see scalability, like Draco’s scales, as something powerful, useful and necessary, but also see its limits as well. It is not the heart of the matter. The creation of the rich learning environment in higher education depends not only on scale(s) but also on the warm beating heart as well. But more than this, it also depends on the intelligence and courage and foresight of Draco himself, acting as the teacher, who saw what must be done and when. For the teacher is critical, seeing the moment, seizing its instructional possibility and bringing the students with her or him to the new level of understanding--at the heart of the issue!

So, moving from the metaphorical to the more concrete and practical, I’d like to reflect on a nascent project I’m involved with at the University of Virginia, which has both great promise as a scalable solution and which brings the limits of scalability at a university into sharp focus.

Usefulness of Scalability and Plans—A Nascent Case

We are beginning a one-year development project at the University of Virginia for an open source tool that will allow faculty to harness the power of databases to store their volumes of teaching and research materials and the power of websites to both mark up those data and to display them, whether in their respective classes, to their colleagues or for their students to work with directly in controlled, research-oriented projects. This tool, tentatively titled the Virtual Exhibition Tool (VET) is itself a teaching metaphor, calling attention to the fact that in an array of areas, faculty members, whether they are publishing scholarly material, lecturing in class or displaying information for students to work with in their respective research projects, are mounting virtual exhibitions on the web.

The plan for this tool can be summed up in this flow chart, a snapshot of our design group’s current thinking: (see Figure 2)
Figure 2. VET Project Diagram.


[Retrieved on November 7, 2006.]

Note that only the objects in gold currently exist. The lavender objects will be created in this current development project, with the yellow objects to be developed in the future. The red objects are being developed in a parallel and supportive initiative. This is both the kind of preliminary thinking that is required of scalable solutions and a stark reminder of what lies outside the bounds of scalability. For if you want to locate the individual faculty member and how he/she would approach and take advantage of the VET, you’d have to examine this diagram rather closely, and still you might find yourself more puzzled than enlightened.

This new project is just underway. We have successfully hired a skilled programmer. We have the budget for a second programmer, full-time, for one year. We have a design committee with an impressive combination of experience and technical understanding, to say nothing of strong connections with two of the most promising open source development projects affecting higher education: Fedora (2006) and Sakai. (2006) Beyond this we have collective experience and ambitions to win large grants to speed the development of this tool to maturity.

And what is perhaps most important, all of the members of this team have specific relationships with faculty projects, college teaching and the passion to deliver quality, innovative learning tools and materials in the classroom. But as good as this plan sounds, I’m reminded of the overconfidence of General Hooker, who on the eve of the battle of Chancellorsville stated:

“My plans are perfect. May God have mercy on General Lee, for I will have none.” (Wikipedia, 2006)

On the next day, General Hooker experienced the most crushing and lopsided defeat of the Civil War as Stonewall Jackson’s troops annihilated the Union flank. Overconfidence can be a killer. So without hubris, and filled with hope, we tackle this project.

But even if this tool exceeds our expectations by 200% it will still not solve what faculty have repeatedly said are the two most important reasons that they do not use instructional technology more aggressively: time and rewards. In terms of time, they simply lack the time necessary to master the range of new skills--from the skills to manage projects and complex teams of people to developing the digital content that will make their virtual exhibitions compelling and educational. In terms of rewards, it is not yet clear that doing this work will be rewarded in terms of either academic advancement or financial compensation. So, scalability is necessary, but not sufficient.

Until now, “scalability” has been loosely used to promote or dismiss programs and solutions in higher education. It should be used instead to strategically, discretely address specific, more narrowly defined problems that may respond to infusions of talent, hardware and software. But even if those solutions are found to be scalable, and even if the scalable solutions succeed, even exceed, the design expectations, we must be clear eyed about the real problems that face higher education--lack of funding.

Innovation and Increased Funding: Our Headquarters Where Our Hindquarters Should Be?

Innovation is, in some sense, central to higher education. It is, in the words of Frank Rhodes, the engine that creates the future. (2001) But, in recent years, that engine of innovation has been made to serve the university rather than generating the university itself. The upper administration needs something that compels private giving, something that is hopeful, upbeat, progressive. What better to fill that need than improvements in instruction and innovative uses of technology? There is a nearly inexhaustible hunger for these stories at my institution. In the School of Arts & Sciences alone, there are two monthly magazines, Arts & Sciences and OscarNews, discovering and publishing two magazines filled with such stories. There are similar venues in each of the University’s schools and that’s not to mention the University-wide publications. In each case, the publication is developed and supported by the Development operation to increase private giving.

You see, in the Commonwealth of Virginia, we have been experiencing ever lowering levels of state funding even as our ambitions and the expectations of the State have inflated. Twenty years ago, we thought it somewhat scandalous that a public university received less than half its budget from the state. But a lot has changed in the last two decades. Now we receive less than 9% of our budget from the state, and the number shrinks each year. Private giving has been a critical way of making up the difference, and we just launched the most ambitious capital campaign of any public, U.S. higher educational institution--$3 billion dollars. (Chronicle of Higher Education, 2006.) But as we know, it is very difficult to raise private gifts to support basic operations, and what could be more basic to the university than education and innovation?

General Hooker, quoted above for his hubris before the battle of Chancellorsville, made himself the butt of the wit of the Confederacy when he announced that his “headquarters were in his saddle.” The leadership of the Confederacy, ever ready to exploit the vulnerabilities of their foes with a bon mot, quipped that he had his headquarters where his hindquarters should be. (Wikipedia, 2006) It was an example of what underground hip hoppers today might call “flipping it.” And I wonder if we haven’t flipped our concepts of education and innovation these days.

What happens when innovation rather than education becomes a marketable commodity? We risk selling the sizzle without the steak. Language, when we mistake the one for the other, confuses and misleads until a wag comes along to expose our inverted orientation, our headquarters where our hindquarters should be.

Beyond “I like/don’t like it.”

One of my favorite teachers began “Analyzing Film” with the hope that we would get far beyond the all too common beginning and ending of discussions about film, the ubiquitous, “I liked/didn’t like it.” Or as it has been shortened by the iconic reviewers, thumbs up or down.

Now over thirty years later, I can say that I’m far beyond such simplistic reactions and still stand in awe of what he could do with a piece of chalk and the enthusiastic engagement of his students. Our conversations were sculptures, were poems, were my concrete understanding of the force of the imagination, of the rich unfolding of insight and of the effective power of an inspired teacher to command and reward the class’s rapt attention.

He began that class with a touchstone, something he came back to repeatedly, his working definition of great art. That definition held that great art always contained something ineffable, mysterious, something we could not fully explain. It was a useful device, for often in the course of the discussion, a question would arise that we could not resolve. And he would point to his definition, asking pregnantly if that unexplainable something might suggest something greater, toward this film as a great work of art. Sometimes the answer would be an obvious “No,” and we would apply ourselves more strongly to the discussion. Sometimes—even if the answer seemed like it could be “Yes”—the openness of the mystery would inspire us further.

I’m thinking now of his definition and his open-ended question as it applies to this topic. Is there anything great in these uplifting, inspiring, hopeful stories being churned out by development offices in quest of increased generosity from our devoted and already generous alumni and friends? What of the stories we grew up on in higher education of lives spent in dusty libraries delving deeply into the arcane and esoteric? What of the stories of dreams deferred? Of rewards delayed sometimes past death? Of dedication to a mystery past logic? Of exertion beyond reason? And of the unknowable, the ineffable, persisting?

What is our touchstone? Keeping in mind that a touchstone is something that revolutionized the concept of money, using a touchstone in Ancient Greece, one was able to verify the purity of the metal coin. The invention of the touchstone meant that forgeries could be easily and reliably detected. By extension, the metaphorical use of touchstone means any physical or intellectual measure by which the validity of a concept can be tested. (Wikipedia, 2006) Generally, the touchstone in higher education contains logic, rationality, and the scientific method. But I contend that there are other touchstones as well. They include and embrace intuition, imagination, transcendence, and non-rational ways of knowing. Each of our touchstone kits is personal, tailored to our varied intelligiences and predilections, our energies and our experience. And our kits are unlike those of the sciences:

“Modern touchstone kits include the touchstone tablet proper, flasks of acids graded for standard alloys — e.g. 18K (karat) (75%) gold, 14K (58%), etc. — and priming pencils made from the standard alloys.” (Wikipedia, 2006)

Our touchstone kits by contrast are idiosyncratic and continuously updated as our experience and skills expand.

So when we hear someone dismissing a new approach with “It’s not scalable” or “It’s not innovative” I hope we’ll have the touchstone kit to decipher when this is code for “I don’t like it.” But beyond that, our kit will show us the value of the ore or the alloy, the worth of the metal itself, and give us the metal to speak, to testify about our own unique findings, to deepen our own discussion and raise ineffable questions. For in fact the reality of the innovations we see before us are too subtle, too varied, too rich and complex to have us settle for a kit that only diagnoses the standard alloys.

Pushing and Pulling the Future

A scientist friend of mine says that his job, every day, is to muster sufficient impatience, smoldering rage, and urgency to push along every detail of his research. He embodies the sense of ownership that characterizes the faculty. That sense of ownership has traditionally served the university well. If the university is to continue to be the engine that creates the future, this type of ownership must continue. But his ire has been increased by a purportedly scalable system, a business operations system that has been activated in his department with rules that researchers must have three “quiet days” each month—days when they can have no financial transactions. His ire, then, is raised because this scalable system actually makes his job impossible. And so he spends his time scheming ways around the system, hording, swapping with and, if all else fails, stealing from his colleagues. So the system siphons off some part of his ability to innovate even as it hampers and thwarts his work. Clearly, a system, however scalable it may be, can actually impede innovation.

Quite apart from that frustration, many of us feel impatient with the slowness of change and the lack of innovation in teaching and learning (Ayers, Grisham 2003). But if we do not think clearly about this issue, we risk violence to the delicate combination of trust and risk that is at the heart of effective teaching and learning.

I think it was that impatience that led to a decision by high-level administrators this past year to launch the VET tool development project I mentioned earlier. But the way they conceived of funding that decision reveals some of the conflicts the academy is currently experiencing. One of the vital positions in my group was re-purposed. Where the professional had been, like me, an academic who helped to bridge between faculty and technology, the new person would be a “heads-down” programmer. And the budget to hire a second programmer for one year was found by turning down three of the four TTI awards that would normally have been funded for this year. In times of flat or declining budgets, this one-year decision was seen as desirable because it would result in the base functionality of a scalable tool. The permanent, heads-down programmer, the reasoning
Went, will continue to improve and build on this base level of functionality.

But, as I have tried to demonstrate, the tool itself will not solve all the problems in this situation. Faculty have regularly said that they are cautious about using technology in their teaching because of a lack of time and rewards. The TTI program, in fact, was designed to address the first of those issues, even as it has developed a cohort of knowledgeable, effective faculty to address the latter problem.

Pressures on higher education are severe; our expectations both imposed from outside and by ourselves, are ever greater. And a disconnect between the pedagogically focused decisions of the individual instructor and the financially focused decisions of upper administration has been discussed at least since Schramm’s seminal work in 1977. (Cooper, 1978).

We need everyone’s greatest creative energies to survive and advance as well as his or her impatience, smoldering rage, and sense of urgency. As we have learned from multicultural studies, tapping into those creative energies is very difficult, easily thwarted and, once we make a miss-step, hard to recover from. Now that we have miss-stepped, repeatedly, the margin of error is narrowing. The role models for success are few.

But by the same token, crises have a remarkable way of focusing the mind and heart. There is ample reason to be hopeful, to put our best efforts forward, even if the evidence for caution seems to outweigh that for optimism. We may find hope in Rebecca Solnit’s hope in the dark. In her recent book, she argues that we must expand our sense of history, be alert to the subtle connections of cause and effect, and stay engaged. Making change is a long, slow process requiring our best and most creative work over the long haul. As she says, “It is always too soon to go home.” (2006)

An excellent example of both a success and a reason for hope is Ed Ayers’ course at UVa, “The Rise and Fall of the Slave South.” This course, which began as a project with the TTI program, taught to 18 students, has now expanded to be taught to 180. At a recent plenary at the Reinvention Center Conference, Ayers described the ways this course takes full advantage of the research university. It makes history come alive, as students must research the historical records in the database and analyze events and episodes they find there. This original research makes the students keenly aware of how complex and how challenging history can be. Thus, the 180 students experience more than a lecture; they have direct experience with primary historical materials. During the first time this course was offered, the students annotated over 3,000 events in the database. Ayers also announced proudly that colleagues will teach related courses at other universities all over the country next year using this same database; so the richness of the database will grow as students from other regions interact with and add intellectual value to it.

But, as Ayers himself said, this solution is not scalable. By that he was referring to both the extraordinary effort required (He, his TAs and several library professionals worked countless hours to prepare the database.) and the fact that the software is less than rock solid. (He related a harrowing anecdote from the week before when the database suddenly and without notice refused to accept the postings of this semester’s students. Some hours of agony were expended before they realized that hidden codes from Microsoft Word docs were clashing with and crashing the database itself.)

But there was still another reason that this course was not scalable, revealed as Ayers publicly announced that he would soon leave the University of Virginia to become the next President of the University of Richmond. (Gruenloh, 2006) This reminds me that a project, however scalable it may seem, may derail when a key individual leaves. In this case, Ayers’ own sense of investment and ownership will be required to keep this project alive and growing. Not only has Ayers himself demonstrated this kind of tenacity throughout his career, but so have our dozens of past TTI Fellows. (Alexander, Reagan, 2004) (This example of distributed solutions having scalable-like effects is something I plan to analyze in a subsequent paper.)

In conclusion, scalability, though hard to define and fragile, does work and will alleviate some otherwise intractable issues. But it is not a panacea. Universities must devote more time and resources toward these scalable solutions than they have to date. But at the same time, they must support smaller, more prototypical projects. If the University is the engine that creates the future, discreet, faculty owned projects are the fuel that sparks that engine and gives us the juice to inspire and guide the larger, more scalable solutions.

Innovation (though the pace is maddeningly slow) and progress (however erratic) are happening and will continue provided we allow and encourage faculty ownership that is essential for ongoing engagement and growth.

References:

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Alexander, J. Reagan, J. and Sakell, J. (1998) Revealing Possibilities. Charlottesville: Rector and Board of Visitors of the University of Virginia.

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Ayers, E. and Grisham, C. (2003) “Why IT Has Not Paid Off as We Had Hoped (Yet).” Educause Review. November/December. pp. 41-51.

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http://en.wikipedia.org/w/index.php?title=Dragonheart&oldid=84534961

Wikipedia. “Joe Hooker.” Retrieved on November 11, 2006 from
http://en.wikipedia.org/w/index.php?title=Joseph_Hooker&oldid=86061153

Wikipedia. “Potter Stewart.” Retrieved on November 11, 2006, from
http://en.wikipedia.org/w/index.php?title=Potter_Stewart&oldid=76360125

Wikipedia. “Scalability.” Retrieved on November 11, 2006, from
http://en.wikipedia.org/w/index.php?title=Scalability&oldid=77713581

Wikipedia. “Touchstone.” Retrieved on November 11, 2006, from
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Tuesday, August 15, 2006

Toward an Understanding of On-line Teaching and Learning, Addictions and the Longing for Balance

7/12/06

Toward an Understanding of On-line Teaching and Learning, Addictions and the Longing for Balance.

Author: John Alexander, University of Virginia
Contact Information:
Email: john@virginia.edu
Phone: 434-243-6619
Mail: Clemons Library/University of Virginia/Charlottesville, VA 22904
Web: http://faculty.virginia.edu/jalexander

“Chocolate. It’s not just for breakfast anymore.”
[T-shirt slogan from a local bakery.]

My name is “John,” and I am a teacher.

“Hi, John.”

At this point in my (mid)life, I find the line between my character and my addictions somewhat blurred. And so, for good and ill, I acknowledge a strong dependence on teaching, (and on the writing and thinking, that effective teaching requires).

My life is a perfect cacophony of false starts, threatening distractions, and impatient waiting. And through it all, there are some faint threads of narrative consistency, and pausing to write them down is actually a way of discovering them: I am a privileged, able bodied, aging, white, middle class man, a father and husband, and a husbandman (of plants and domesticated animals); a storyteller, musician, a chocolate lover, and consistently, a teacher. Not all these descriptors qualify as addictions, but the last most definitely does. (Of chocolate and addictions, more later…) It only confuses the issue slightly that this last addiction is the only one in the list that helps to pay the bills. We call that a “vocation.” Writing (and for that matter, teaching) is a “calling”—so the silent, introspective process and the loud, public sound making--writing vs. calling—focus my mind on the paradox and the mixed metaphor of teaching where I may actually uncover something, show it to myself, and, by writing it down, show it more broadly as well.

At this moment, I am reflecting on the teaching and more specifically that I am actively teaching the college essay to students learning online at the University of Phoenix (UOP). I have just passed a milestone, having taught for the UOP for more than four years. Granted, four years may not seem like so much of a milestone in a career of my 30 years of teaching, but when I consider how much I have learned and how much I have changed in these few years of teaching on-line, I consider the milestone significant however relatively short the timeframe.

All of this is to say that I feel more strongly than usual the need to pause and reflect, and in reflecting seek respite from that noisy den of daily life.

But even as I pause, breathe, let thought sink below the noise and find the quiet place beneath the surf, associations, intuitive leaps, beg.

And so, as I reflect, I begin with examples of three kinds of mature essays-- journalistic, scholarly, literary—and their distant, younger cousin--“college.”

Journalistic

I just re-read an interesting and insightful article by two colleagues from the University of Virginia, Ed Ayers and Charlie Grisham. Their Educause article, “Why IT Has not Paid Off as We Had Hoped (Yet)”is an analysis of why the results of instructional technology (IT) have been disappointingly slow. As they say, “…despite the tremendous investments that all institutions of higher education have made in IT, despite the number of classrooms we have wired…the vast majority of our classes proceed as they have for generations—isolated, even insulated, from the powerful networks we use the rest of our lives.” (Ayers & Grisham, p. 41.)

Although I agree with many of the points they make, I also feel strongly that my online students have gotten measurable immediate and long-term benefits from the online course I’m delivering. I gauge the improvements they make in their knowledge of grammar and mechanics and by the enthusiastic comments they make throughout the course and on their end-of-course evaluations. I believe that these improvements will continue because one of the strongest themes I strike during the course is that they need to remain active in working/researching these issues and in their personal commitment to improving their writing. I am convinced that this course marks a turning point for many of my students. While they may have begun the course hoping that it would magically convey expert status to them, they end the course knowing that expert status is an ideal they can strive toward and come closer to reaching by incremental steps. While this course may have brought them dramatically closer to that goal, and may have brought them much farther than they could imagine going without it’s help, they have still more miles to go, and the end point is never clear. These realizations that learning is lifelong and that they are both in charge of and empowered to accomplish it is a huge pedagogic achievement–one that my undergraduate students at UVa do not regularly, reliably make, despite the fact that they are extraordinarily gifted students attending what is regularly recognized as one of the best public higher educational institutions in the country. The fact that the UOP students achieve this empowering breakthrough certainly has a great deal to do with their greater age, maturity and experience when compared to their UVa counterparts, but it is a breakthrough, nevertheless.

The UOP students learn this all-important lesson, as well as the content of the course, online in a class of no more than 20 students who enroll from all over the world. Most of them have never met each other, even online.

So, although Ayers and Grisham express impatience with the benefits of IT, I submit that UOP is delivering such benefits every day to students all over the world using simple and ubiquitous technology.

But of course Ayers and Grisham have something much grander in mind—no less than the transformation of higher education by IT. It has not happened yet, at least in part because Higher Education’s instructional technology infrastructure has, according to the authors, no center: “…American higher education has created a doughnut IT infrastructure: all periphery and no center…. The massive investment in networks and computers will not pay off until we fill in the hole until we work together to create content.” (Ayers & Grisham, p. 51.)

The understandable impatience that we all feel with why instructional technology has not done more (an impatience that is beautifully articulated in their article) distracts us from at least two related facts:

Firstly, the “No Significant Difference” body of work has proved that there is no significant difference in student learning between instruction that is delivered online and that which is delivered on grounds (as we say in the local jargon of the University of Virginia, where I also work and teach). Our impatience is that the capabilities of instructional technology, when used intelligently should significantly improve the learning of its students. I think that evidence is emerging but slowly. I draw at least two conclusions. While it may be that the IT infrastructure is hollow at the center, there has been enough “filling” that learning outcomes are at least equivalent whether one is learning on or off grounds. The impatience that we share with Ayers and Grisham is more focused on how the filling needs to be better, more nutritious, more compelling.

Secondly, there is a paradox about higher education. It is both a phenomenal engine of innovation and creativity and a bastion of resistance and skepticism. We see the huge leaps that are possible because of the technology and feel impatient that the innovative and creative aspect of the university can’t exploit that more swiftly. But that paradoxical, perverse, oppositional Janus head of the University is always there as well, with it’s obstinate “Pushmepullyou” animal nature. In teaching, writing and thinking, we continually strive for an impossibility—to see a holistic reality when our bifurcation lets us see only half of it.



Scholarly

When I was an undergraduate, I wrote a senior thesis on the anti-atomic war novel. In my conclusion, I drew on a different genre, a film, Dr Strangelove; Or How I Learned to Stop Worrying and Love the Bomb. It was my first serious attempt at scholarly writing which included extensive primary and secondary research, investigating over 60 novels, numerous secondary sources and juggling with growing dexterity numerous citations from all those sources, trying to hammer and braise them into some coherent, cogent form that at least suggested knowledge. …Or if not knowledge, something that my advisors could read without boredom and dread.

My advisors were kind, patient, even forgiving readers and critics, but one of them did take strong exception to my inclusion of a film in a thesis about novels. “You can’t compare two different kinds of works,” he said, emphatically. “Righto,” I replied. But inside, I couldn’t accept the rigors of scholarly writing.

Of course I also recognize that I was the same brash, ego-centered student then that my UVa students are today. The advantage of the UOP students, more experienced and more mature than the typical on-grounds undergraduate, is that they lack those qualities.

At the same time, the march of technological progress has better enabled the very mixing of metaphors that I envisioned. Today, for example, many faculty members realize the necessity of enriching a lecture with images, sounds, film clips and other media that create a context for the idea, the text, and the focus of the lecture. Mixing metaphors, comparing apples and oranges, film to text, all these things that were either impossible or unthinkable a few years ago are now seen as obvious and, to some professors, essential ways to enrich a course.

And in scholarship itself, technology is enabling what was unthinkable just a few years ago. Ed Ayers, cited above, has recently written with his colleague, Will Thomas, what is arguably the first successful example of new, digital scholarship. In “The Differences Slavery Made; a Close Analysis of Two American Communities,” published by the American Historical Review, Ayers and Thomas construct a scholarly argument online, where footnotes are not, as Ayers recently quipped, simply broken hyper textual links. Instead, the footnote brings up the full reference itself or the data from which the conclusion is drawn. Scholarship is suddenly capable of thinking like we think, comparing apples and oranges, texts to film, and bringing the whole of the cited work to the reader/viewer’s attention.

These are radical changes (and I note that “radical” means “at the root” or “fundamental.” It will take years before such radical, fundamental changes can be incorporated, analyzed, fully understood by the scholarly community. At this point, we don’t even know how to evaluate the contribution of Ayers’ and Thomas’ article, much less how to decide whether they’ve proved their point or structured their essay effectively. New ground indeed. So new, in fact, that it’s hard to think of an analogy that captures this moment.

Gutenberg? …But we knew what books were before the press was invented.

Babe Ruth at the moment that his home runs changed the game forever? …But the home run rule already existed. It was just that no one before Ruth made so much of it.

Martin Luther King, Jr.’s “I have a Dream” speech, when whites suddenly realize the debt the dominant culture owed to the oppressed. …But whites knew that terrible wrongs had been and were being committed. It was just that no one had been able to say them without invoking our defensiveness and denial.

Hmmm. Don’t know. But perhaps the answer is nestled in the conundrum. In all these cases of huge breakthroughs and paradigm shifts, the leap was made from some known and well-understood point. To understand what is happening with scholarly writing and research we need to stay firmly planted in a known point of view even as reality seems to be reinventing itself all around us.

Literary

Cynthia Ozick in her introduction to the Best American Essays of 1998 argues that the literary essay is the best means yet devised to capture the “fluid, intuitive, creative, focused workings of the human mind”. That’s easy for her to say. I’d say, rather, that it does capture those aspects of the human mind while simultaneously, magically, deftly distracting us from the other “workings” that are possibly best left behind the curtain, safely out of view. Or to say it another way, a deft literary essay gives the best illusion yet of the “fluid, intuitive, creative, focused workings of the human mind”. And if this is the pinnacle of illusion making, it is little wonder that a beginning writer can’t master it. In most fields one must invest more than 2000 hours to gain expertise. Why do we assume that expert writing is any different? At least one reason is that the expert literary essay seems artless, spontaneous. It has the same properties of seeming effortlessness as magic—without the amazement. Or at least, unlike magic, the only ones who feel the awe are the ones, practiced illusionists of language, who can see the invisible wires and have explored--grimacing, eyes shut in anticipation of slime or sudden pain--the secret compartments.

Well, maybe that’s a bit of an overstatement. Even the casual observer of a film can oftentimes feel the magic. When, for example, we find ourselves shouting at the deaf TV screen during the climatic 24th episode of 24, we are moved by the illusion, transported. Or when we watch the film, Adaptation, the screenwriter, Kaufman, deftly, at least for moments brings those other “workings” out in plain sight, before he deftly makes even them the polished gems they become before our very eyes. But these are works of fiction, film—no less--well known for illusion and capturing the imagination. Their same powers can be brought to bear in the literary essay, but few but other literary essayists and expert writers feel awe at the power of the form. I know because when I teach my college students a literary essay, their comments fall everywhere but on the force, originality, compelling power of the language. Their observations, like proverbial husbandman’s seeds fall indiscriminately on rock, on path, on tangential thoughts, on personal anecdote. As the teacher, I try to sweep those seeds back into the fertile ground of the language and the skill of the writer. But for my troubles, I’m likely to get, “Hey, that’s just fallow dirt. What’s interesting about that?”

So Ayers, Thomas and Grisham, Ozick and Kaufman have something to say to me about writing and the teaching of writing. And all of this bears on the teaching of the college essay, the young, unwashed, redheaded stepchild of these mature and magical forms.

College

So what have these mature, expansive, inspiring essays to do with the traditional college essay, that plodding, formulaic thing that states its thesis, proves it in three paragraphs and marches inexorably to a firm conclusion—re-stating in no uncertain terms that it got where it meant to go? They are related by blood. And not the blood that took Henry Wiencek years to uncover and document in the Hairstons. Not the blood, as that book discovered of miscegenation and generations of trauma, denial and alienation. Rather, the relation of the prodigal, welcomed by an adoring parent, fed the fatted calf. For all our culture’s anti-intellectualism, our contempt for higher education, our niggardly response to the patent needs for learning, there is a huge array of hopeful teachers convinced that the writer of the one can mature to become the writer of the other. No, not just “can mature” but does, must mature. For all these writers and others began there. So there must be progress, even if it is not inevitable.

So we welcome the prodigal home, that errant child that might have returned scorned and covered in shame. He was wrong; he was profligate. But he is our blood. There is hope there, and kinship. There is love and union that is all the more difficult after the feast is past, when he stays and doesn’t turn out the lights or close his mouth when chewing, when he channel surfs so fast that we can’t even see what we just missed, when he is surly or uncouth or violates our sense of peace and order in 1001 ways. The hope of progress is hard to find when we are confronted moment-to-moment with the unlettered, the lazy, the evidence of how far education must take him, of how very much we have to teach, of what burdens we have decided to shoulder and he resolutely shrugs off.

But the student will eventually shoulder those same burdens. That has always been the way. And the painstaking, labor intensive, soul-wrenching task of teaching writing is the way we show the way. We all were once there.

Addiction

I began this essay with the image of addiction to teaching. And like other addictions, this one is, in Jungian terms, evidence of a longing for balance. Like my attachment to chocolate, though, it does more than state a hope. It heals.

Scientists now tell us that chocolate releases endorphins that give us the waves of well-being and contentment that we crave. For Valentine’s Day this year, I gave my wife some local, fresh hand-made, preservative free, gourmet chocolates. This was not a selfless sacrificial gift. She shared. And we sat in a sea of good feeling, peace and well-being. It was a most satisfying experience. Teaching does not give such rewards regularly or predictably. And even when they do come, when a student in an end of course evaluation says what I’d want him or her to say, or even better, when I learn something from students or feel inspired by a breakthroughs they’ve made, I, being thoroughly academic and skeptical myself, can immediately doubt the truth of their assertion, the validity of their breakthrough, the longevity of progress or even its trajectory.

But for moments the rewards are just as palpable, just as intoxicating, and just as reliable as the rich, subtle ecstasy of those local, amazing lumps of chocolate love.

As I opened with my not so veiled reference to Alcoholics Anonymous, I hinted both at the need I have to confess my addiction, my need to manage it by withdrawing from it and my acknowledgement of the spiritual nature of both the addiction and the benefits of confession and community.

As if for the first time…

A quest ends well at home. Joseph Campbell, who spent a lifetime studying and teaching about them, ought to know. He said, in the end, we come home and see it as if for the first time.

An essay is a journey, a quest. And like any journey or quest, it must end. Martin Prechtel, in his brilliant and insightful book The Secrets of the Talking Jaguar, analyzes a feature of Mayan. There is no concept of or word for “leaving home”. To take the first step out of the door is to begin the journey home. I love that metaphor. We are creatures who, like dogs that turn before they lie down, must move in circles.

A group of dedicated volunteers in my church has painted on a piece of canvass that fills our social hall a replica of the labyrinth that graces the floor of Chartres Cathedral. So now, once a month, a labyrinth can be laid in my church’s largest room, and the room is transformed to a sacred, meditative space.

Walking the labyrinth is a longstanding spiritual discipline that now has found a home in many such liberal churches as my own. When walking the labyrinth, we follow a set path, entering and exiting at the same spot. As we walk we often carry a question, which often feels answered or resolved in some way as we pause in the center of the labyrinth and then make our way out—retracing exactly the path we’d followed in. The labyrinth is a wonderful metaphor for the essay. For the twists and turns that to our bodies may seem random, route-less, meandering, are in fact purposeful, deliberate, laid out by “sacred geometry.” When we exit the labyrinth, we see the place we came from as if for the first time.

I pray for the ability to some day write an essay as exquisite as a labyrinth. But more than that, I pray that my students may some day write such an essay, and that I may be fortunate enough to follow it in the contours of their thinking, their lives, to the center of their being and out again to know them, and myself, as if for the first time.
“Chocolate. It’s not just for breakfast anymore.”

I’ve paused, deliberated and rested. And now I return, return to teaching. As I’ve worked on this essay, I am teaching an experimental course on grounds at the University of Virginia. And even as its workload burdens me, I have scheduled my next class with the UOP. Chocolate, like education, is not restricted to one time and place. And with any luck and any skill and craft, the students I meet and work with in my next class may find the course a turning point in their lives. Meandering though it may feel, the twists and turns will lead them, and me, to the center of the question and back home, which we’ll see, as if for the first time. May we then exclaim, paraphrasing Miranda from The Tempest, “Oh brave new world, that has such people [and erudition and ignorance, addictions and health, connections and chocolate] in it.”


__________________
References

Ayers, E. L. and Grisham, C. M. “Why IT Has Not Paid Off as We Hoped (Yet),” Educause. November/December 2003. pp. 41—51.

Collected on the web on 7/12/7:

www.educause.edu/ir/library/pdf/ERM0361.pdf


Thomas, W.G. III, and Ayers, E.L. “The Difference Slavery Made; A Close Analysis of Two Communities.

Collected on the web on 7/12/7:

http://www.vcdh.virginia.edu/AHR/

copyright John Alexander 2006.

Friday, January 13, 2006

die hard morality tale

Recently watched Die Hard and Die Hard 2 for the first time. Both are ridiculous, ludicrous and very engaging. DH2 more than DH emphasizes Willis' character's willingness to hurl himself wrecklessly into the center of whatever action is taking place. In both, Willis' appeal is that he seems human, humane while at the same time supremely tough. He does not show intelligience or wit particularly. His essense is more character, grit and courage.

One thought I had w/ both the movies (both from the 80s) is that they are savvy about who to make the bad guys. In the first movie, the terrorists are German. In the second, they are in the words of one of the bad guys in the movie, "assholes" just like Willis' character. The things that distinguish Willis' character from the bad guys are:

--He has a family he adores. Evidence: He thinks about them and talks about them wistfully. He reunites w/ his wife at the end of each. The bad guys, on the other hand, never seem to have anything other than control, cruel intelligience and mayhem on their minds.
--He is a cowboy, individualist, while they are a supremely coordinated team under the iron rule of an old school leader, disciplinarian.

So one part of the satisfying morality play is that Willis stands for a meme we revere in the U.S., the worth and power of the individual. At the same time, his appeal is tied to a populist theme of the downtrodden workers who are courageous but nevertheless broken and marginalized by the system. (Joe, from DH has a small part in DH2. The head of Airport Police is petty, vengeful and trivial bec/ of the work he must do and the lack of support and understanding of his management. At the same time, he and his crew, just like Joe in DH, blossom when Willis' character gives them the opportunity and their courage, strength, resilience is needed. This is another meme in the U.S. We may be asleep, fat, lazy, shiftless now. But we can transform into a powerful and righteous force as needed, at will.

Tuesday, December 13, 2005

market politics

Listening to the podcast from Noone’s Listening that features Noam Chomsky:

http://www.boingboing.net/2005/12/11/noam_chomsky_on_noon.html

I’m reminded of similar insights from Thomas Frank’s talk at UVa:

http://www.virginia.edu/flashaudio/centerforpolitics/frank_051019.mp3

Both thinkers articulate how and why the media and politics have gotten so far removed from public opinion. Both talk about consumer culture and how the public has been indoctrinated and has lost perspective.

It is particularly encouraging that Chomsky is optimistic that change is possible; though he is also realistic that it will be difficult given how atomized we are as a people.

Interesting that Chomsky sees our best time historically was mid-19th C. That is a time, also, that Franks extols when populism in the mid-West was strong and vital.

Idumea

One of my favorite hymns in the sacred harp tradition is "Idumea."

I particularly like the last verse:

Waked by the trumpet sound,
I from my grave shall rise;
And see the Judge with glory crowned,
And see the flaming skies!

For although in the tradition this obviously refers to the Christian view of the afterlife, the power and enthusiasm we usually muster when singing it calls us to wake now and live fully, to experience with all our senses all that life has to offer even as we are using our voices and ears to their utmost at that moment!